The Cottage at Rooster Ridge has a small kitchen area and our intent was to create a working kitchen without the use of any built-in cabinetry—as used in current day. The dish wear is stored in a Pine American Folk Art Cabinet and the retro white farm sink was placed into an existing Re-Purposed English Pine Sideboard—more about those another time!
And, the center island was fashioned from a Vintage Industrial Work Table.
The original industrial green which was only minimally visible along the edge of the steel top was left intact as an excellent and unusual accent color to our plan of painting the legs a distilled barn red.
Enter elbow grease and stubborn tenacity (Steven) and an equally stubborn vision. (Jeri)
Quickly the base legs were painted as the imminent danger of RUST hovered nearby! The quandary we discovered ourselves in was what to do with the top surface. We wanted this Vintage Industrial Work Table to become a functional addition to the kitchen as well as a style statement. Research led us (Steven) to a two-part epoxy resin as the solution. The epoxy resin would seal the steel top—preventing the metal from rusting. Equally as important, this resin top would provide a sanitary, washable surface to work on.
With the freedom to feel comfortable drilling into this used table—as it already had plenty of hammer marks and holes—we affixed our first Vintage Paper Cutter.
The Vintage Paper Cutters have become a household go-to for a multitude of uses and tasks! If you haven’t yet read about the them—here are the links for Part One and Part Two!
The addition of baskets on the two “shelves” which are created with the cast iron cross-bars furthered the usefulness of this industrial piece for storage of small kitchen items.
Re-Purposing is the ultimate in recycling and we are proud to join the ranks of many whose efforts at being green is a priority.
Through this Re-Purposing a solution to a small space—which required a functioning piece was obtained. After all what is more functional than an industrial work table! The richness of the history which came with all of the nicks, bashes and scratches was a bonus—and the industrial style is of course, Stylin’!
Post Script; If you are seeing the dried Hydrangea arrangement on the Vintage Industrial Work Table for the first time—here is the link to that post! Enjoy!
My dream of owning a Vintage Typewriter; Check!
As an author and as a writer—as well as a lover of—all things Vintage what better way to coalesce the two than owning a Vintage Typewriter. I love to communicate via writing—it is, quite honestly, my most comfortable comfort zone—in the arena of interacting with others. Although I struggle at times with the process of placing my thoughts and feelings into formatted sentences in print, without the pressure (aka fear) of diction, correct pronunciations and of distraction (causing me to lose my thought) the written word is my preference. Graciousness flows effortlessly when thoughts are presented in a well-crafted sentence, which is not always guaranteed when the words are spoken. And, the person speaking is given time to think. I like that.
Granted, while writing Lessons from the Trumpet Vine, the ability to effortlessly move words, sentences, paragraphs and at times—entire chapters from one location to another made the experience far less taxing. I cannot fathom the one-letter-at-a-time approach to an entire manuscript, and yet I am humbly aware that many such manuscripts, which still stand the test of time, were born of that method.
There is something organic in the physicality of typing on one of these relics of the past. The keys need to be struck; firmly and succinctly. To achieve an even distribution of ink from letter-to-letter, a consistency of striking those keys is desirable—a flow needs to be achieved. Writing on a Vintage Typewriter creates a musical rhythm of thoughts, tapping one key-strike at a time. The manual movement of the carriage as you gently press the lever—and slide—as you advance to the next line creating a feeling of accomplishment as you are physically moving to the next group of words. Job well done, time to pause, and your next thought?
Then, of course, there is the ding. DING! The lovely bell chimes a calm alert to you, as you are about to approach the end of a line. Pay attention now, please.
I also experience a kind of connectedness to the legions of women who came before me a generation or two ago. Depending on the era of the typewriter, I believe, most often it was women who sat before these machines. Multitudes of letters, contracts and invoices which most probably, almost always, began with Dear Sir. Women were just entering the work force (outside of the home) and were infrequently business owners or property owners. The times have changed—I thank my sisters of yesteryear for the hard work they did, bringing us to this point of having far more options.
I also feel a closer relationship to the person to whom I am writing to—as if we will share a common place once the paper is held within their hands. Handwritten notes of course provide the most intimate of written communications and I do love handwritten notes. However, similar to the spoken word, the handwritten word has a set of obstacles; penmanship, ink smears and straight lines come to mind. All challenges to this writer.
The Vintage Typewriter with its iconic print speaks volumes simply through the choice of using one. The reader, if they wish, is able to imagine the scene of the writer—sitting upright, as they work to combine the individual letters together to form a message to the reader.
I have brought all of my self here, to this place—my mind, my thoughts, my heart and my hands as I to write this to you—
I love you.
postscript: Thank you for the wonderful gift St.